Johann Joseph Ignaz Brentner

Brk 66

Oderit me totus mundus, op. 3/11

Instrumentation:

T, vl multiplicato, bc

Contained in: Hymnodia divina, op. 3 Brk Coll 3

Composition: Not after 1718

Music

Sources

First printed edition

[Classification: notated music, print, parts, first edition, incomplete]

Georg Labaun, Prag 1718 or 1719

The print survived in sole and only copy with a missing title page, which was identified according to the period transcript of the collection (see below). Emilián Trolda discovered and transcribed the source calling it "Anonymus 1718" in his writings.

Vox

8 folios (A–D2)

Violino primo

4 folios (A–B2)

Violino secundo

3 folios (A–B)

Viola. Hauthbois et Violinus

4 folios (A–B2)

Partitura

7 folios (A–D)

CZ-CBk 169

29 × 19,5 cm
CZ-CBk (Jihočeská vědecká knihovna v Českých Budějovicích, Oddělení rukopisů a starých tisků, Zlatá Koruna) 169
A copy owned by Minorite Monastery in Český Krumlov .
Lost copy of op. 3 from Kvasice

The copy is listed in the Kvasice music inventory on page [6r] (Cantata seu Ariae diversae coll:): "[Nro.] 2. Hymnodia divina XII à Voce Sola, 2 Vio. Viola et org. [Authore] Brentner". It is not entirely clear, if it was the print itself or the transcript of the print.
Lost copy of op. 3 from Göß

The collection is listed in the music inventory from 1750 (Specifikation über alle Stuft Gösserische Musicalien sowohl, alß alle in Chor alda befundene musicalische Instrumenta. Anno 1750): "Josephi Prendner 12 Offertoria de Anno 1719 in folio".

Transcript of the first printed edition

[Classification: notated music, manuscript, parts, fair copy, complete]

1719

5 parts; 32,5 × 21 cm

According to this transcript it was possible to identify the sole and only copy of the print survived without title page (see above, First printed edition).

PL-GNd (Archiwum Archidiecezjalne w Gnieźnie, Gniezno) V/108

Podolínec transcript

[Classification: notated music, manuscript, copy, parts, incomplete]

On the cover of Voce sola part: Arie De Sanctissima | Commonione. | a | Voce Sola 3. Violinis. | et Organo.

3 parts, part Org lost; 20,5 × 16,5 cm

All arias from Hymnodia divina were included into an anonymous collection of 16 church arias from the music collection of the Piarist monastery in Podolínec, together with another two arias by Brentner (Brk 53, Brk 83) and solo motets by Giovanni Battista Bassani and Anonymus. The Organo part of the transcript is missing.

SK-J (Štátny archív v Bratislave – pracovisko Archív Modra, Modra) H-669 RISM record

Provenance: Piarist monastery in Podolínec

Transcript of "Oderit me totus mundus"

[Classification: notated music, manuscript, copy, parts, complete]

PL-SA (Biblioteka Diecezjalna w Sandomierzu, Sandomierz) 262/A VII 22 RISM record Digital copy

Lost transcript owned by P. Ignatius Müllner, SJ

[Classification: Inventory record]

Listed in the inventory of P. Ignatius Müllner on page 22 (Mottettae De Tempore): 59. Oderit me totus. C.S. VV. Unisoni. 3 Bassi. Idem [= Brentner].

Manuscript score by E. Trolda

[Classification: notated music, manuscript, score, complete]

1926

Using the single known copy of the first printed edition, Emilián Trolda wrote down a manuscript score in 1926.

CZ-Pnm (Národní muzeum – České muzeum hudby, Prague) XXVIII F 141

Manuscript score by K. Motejlek

[Classification: notated music, manuscript, score, complete]

1946

A copy of the manuscript score written by Emilián Trolda.

CZ-Pnm (Národní muzeum – České muzeum hudby, Prague) L C 506

Bibliography

Catalogus Rerum Musicarum singulari studio conscriptarum a P. Ignatio Müllner, SJ. ELTE University Library and Archives Budapest F 31.

Świerczek, Wendelin: 'Katalog rękopiśmiennych zabytków muzycznych biblioteki Seminarium Duchownego w Sandomierzu'. Archiwa, Biblioteki i Muzea Kościelne: organ Ośrodka Archiwów, Bibliotek i Muzeów Kościelnych przy Katolickim Uniwersytecie Lubelskim, 10, Instytut Archiwów Bibliotek i Muzeów Kościelnych: 1965, pp. 223–278, here 251–252.

Trolda, Emilián: 'Josef Antonín Plánický'. Cyril, 59, 1933, pp. 100–113.

Idaszak, Danuta: Źródła muzyczne Gniezna. Katalog tematyczny. Slownik muzyków (Studia et dissertationes Instituti Musicologiae Universitatis Varsoviensis. Seria A, Tom 3), Musica Iagellonica: Kraków 2001.

Smolarek, Dariusz: Katalog tematyczny muzykaliów z klasztoru pijarów w Podolińcu , Wydawnictwo KUL: Lublin 2009.

Kapsa, Václav: 'Bassani – Brentner – Villicus: hudební repertoár dvou rukopisných sborníků z piaristického kláštera v Podolínci'. Musicologica slovaca, 2/3(29), 2012, pp. 195–215.

Kapsa, Václav: 'Inwieweit die Wörter von Wichtigkeit waren? Zum Wort-Ton-Verhältnis in Arien von Joseph Brentner und anderen mitteleuropäischen Komponisten des ersten Drittels des 18. Jahrhunderts'. Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei, Konferenzbericht (Bratislava, 22.–24. 10. 2014), Bratislava 2015, pp. 145–162.

Last changed: 2021-01-23
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