First printed edition
[Classification: notated music, print, parts, first edition, complete]
Georg Labaun, Prag
1716
Title page on cover:
Harmonica | duodecatomeria | ecclesiastica. | seu | Ariae | duodecim: | anno | millesimo septigentesi- | mo decimo sexto | in lucem editae | a | Josepho Joanne Ignatio | Brentner. | Opus primum. | Vetero-Pragae | in Magno Collegio Carolino, typis Georgii Labaun.
The dedicatee is addressed on the reverse of the cover (p. [2]), on pp. [3–4] follows the text of the dedication. Only two copies of the print are known (see below).
Academus Edition: Source P
Violino primo
11 folios (A–F)
Violino II.
7 folios (A–D)
Viola Alto
4 folios (A–B2)
Partitura
11 folios (A–E2)
-
CZ-Bm A 24.298
29 × 19,5 cm
CZ-Bm
(Moravské zemské muzeum, oddělení dějin hudby,
Brno)
A 24.298
Provenance: Listed in the inventory of the Kvasice music collection at the beginning of the section “Cantata seu Ariae Diversae…”
The specimen originates from the music collection of the parish church in
Kvasice . The title page and the dedicatee's name on the reverse are missing. The dedication itself is bound in the Organo part. The leather cover of the Org part reads:
"Nro 3. | Organo | Hymnodia divina XII. | Authore Brentner | Pro Choro Quassicensi."
-
PL-Wu St. Dr. Mus. 960
34 × 21,5 cm
PL-Wu
(Biblioteka Uniwersytecka w Warszawie,
Warsaw)
St. Dr. Mus. 960
Provenance: Wroclaw
The copy previously belonged to the collection of Musikalisches Institut at Wrocław Wrocław University (the successor of the institution formerly known as Königliches Akademisches Institut für Kirchenmusik). The vocal part is missing, and the first violin part is incomplete (missing folios D–F [7–11]), on the other side the set does contain a portion of the second violin part (fol. C–D [5–7]) and the entire viola part twice. The title page and the foreword are found on separate sheets. The parts consisting of bifolios and unifolios are not bound, but they have only been provisionally sewn together with thread; they are not cropped, and they bear no traces of use. The copy represents the form of the printed edition in which it was distributed, while in this specific case, the set of parts was put together incorrectly.
Anonymous transcript, Organo part only
[Classification: notated music, manuscript, copy, parts, fair copy, incomplete]
1734
Common title page of the volume:
Duorum operum à Voce | Sola con Violini: Auth: | Planizckio & Anonymo: | Opellae Duodecim sic dictae | à suo Authore Josepho Anto: | Planizcki: Descriptae pro Choro | Angelo=Montano A:o 1734.
1 part (bc)
The manuscript copy of Brentner's collection survived in a bundle of two collections, the first being the manuscript copy of the Opella ecclesiasica by Josef Antonín Plánický. The ordering of arias is somewhat different from that found in the printed edition: both alto arias (IV and VII) are placed at the end as numbers 11 (Oderit me totus mundus) and 12 (Vos, caelitum favores), but the sequence of the other arias was not changed. The information stated in the list of arias on p. 2 also indicates a slight change to the instrumentation (wind instruments are absent; the aria with solo violin is designated as con 2 VVni). The coinciding figuration of the bass line and some uncorrected errors show that the copy is dependent on the first printed edition, but the copy also contains a number of copying mistakes and garbling of the original text as well as sporadic alterations correcting – sometimes rather clumsily – some of the errors in print. The graphic design of the copy is carried out independently of the print, especially with regard to the beaming and the repeat signs (Da capo). Therefore, the copy was probably made indirectly through one or more copies made directly from the print, that have not been preserved.
Only the Organo part has been preserved, the other parts have been lost. The copy is dated at the end: Finis: 18: Sept: 1734.
Academus Edition: Source C
Transcript of "Oderit me totus mundus"
[Classification: notated music, manuscript, copy, parts, complete]
Title page on the cover made of blue paper:
Cantus Pro omni Tempore. | Oderit me totus mundus | à 4. Voc. | Alto Solo. | Violinis duob[us] | Con | Organo. [farther down on the right:] Authore Sig. Josepho Brentner. [bottom right:] Ex partibus | Francisci Leopoldi | Kobielsky. [top right:] Ex C.
4 parts; 21 × 17 cm
The parts are marked Alto Solo (1 fol.), Violino Primo (1 fol.), Violino 2do (1 fol.), and Organo (1 fol.).
Academus Edition: Source C5
PL-Wu
(Biblioteka Uniwersytecka w Warszawie,
Warsaw)
RM 6088
Lost transcript from Osek
[Classification: Inventory record]
Before 1723
Listed in the Catalogus Musicaliorum [music inventory no. 2, 1720/1733], CZ-Pnm, Osek collection (Cistercians), acquisition no. 65/52, fol. 10r (Gradualia de Tempore...): "Oderit me totus mundus A: Brentner".
Lost transcript owned by P. Ignatius Müllner, SJ
Listed in the inventory of P. Ignatius Müllner on page 20 (Mottetta De Tempore): 30. Oderit me totus mundus. A.S. 2.VV. Viola. Org. Viol.
Idem [= Brentner].
Manuscript score by E. Trolda
[Classification: notated music, manuscript, copy, score, complete]
1929
Using a Kvasice copy, Emilián Trolda wrote down a manuscript score of the collection in 1929. Since the original title page is missing in the Kvasice copy, Trolda misnamed the collection according to the title on its binding. However, the title "Hymnodia divina" actually belongs to Brentner’s second collection of arias (Brk Coll. 3). Trolda know the second collection too, but only as an anonymous work lacking its original title page too.
CZ-Pnm
(Národní muzeum – České muzeum hudby,
Prague)
XXVIII F 223
