First printed edition
[Classification: notated music, print, parts, first edition, incomplete]
Georg Labaun, Prag
1718 or 1719
The print survived in sole and only copy with a missing title page, which was identified according to the period transcript of the collection (see below). Emilián Trolda discovered and transcribed the source calling it "Anonymus 1718" in his writings.
Violino primo
4 folios (A–B2)
Violino secundo
3 folios (A–B)
Viola. Hauthbois et Violinus
4 folios (A–B2)
-
CZ-CBk 169
29 × 19,5 cm
CZ-CBk
(Jihočeská vědecká knihovna v Českých Budějovicích, Oddělení rukopisů a starých tisků,
Zlatá Koruna)
169
A copy owned by Minorite Monastery in
Český Krumlov .
-
Lost copy of op. 3 from Kvasice
The copy is listed in the Kvasice music inventory on page [6r] (Cantata seu Ariae diversae coll:): "[Nro.] 2. Hymnodia divina XII à Voce Sola, 2 Vio. Viola et org. [Authore] Brentner". It is not entirely clear, if it was the print itself or the transcript of the print.
-
Lost copy of op. 3 from Göß
The collection is listed in the music inventory from 1750 (Specifikation über alle Stuft Gösserische Musicalien sowohl, alß alle in Chor alda befundene musicalische Instrumenta. Anno 1750): "Josephi Prendner 12 Offertoria de Anno 1719 in folio".
Transcript of the first printed edition
[Classification: notated music, manuscript, parts, fair copy, complete]
1719
Text on the cover of "Partitura" part:
Hymnodia | Divina | Duodecim illustrata ariis | duobus, tribus, quatuorque instrumentis | constructa, voce sola adjecta | honori | illustrissimi Domini | Domini | Caroli | Maximiliani | Steinbach | Liberi Baronis de Kronigstein | Domini in Liechtenstein, Hundschütz, Kra | schowitz, Augezd ad Misam etc. | Humillime dicata | à | Josepho Joanne Ignatio Brentner. | Anno MDCCXIX. | Opus tertium. [Later inscription:] 1752 die 27 augusti in Capitulo productum | et Decretum ut in acris notariam mpa. [on the p. 2:] Ex Rebus Musicalibus | Wenceslai Lukawsky mp.
5 parts; 32,5 × 21 cm
According to this transcript it was possible to identify the sole and only copy of the print survived without title page (see above, First printed edition).
PL-GNd
(Archiwum Archidiecezjalne w Gnieźnie,
Gniezno)
V/108
Podolínec transcript
[Classification: notated music, manuscript, copy, parts, incomplete]
On the cover of Voce sola part:
Arie De Sanctissima | Commonione. | a | Voce Sola 3. Violinis. | et Organo.
3 parts, part Org lost; 20,5 × 16,5 cm
All arias from Hymnodia divina were included into an anonymous collection of 16 church arias from the music collection of the Piarist monastery in Podolínec, together with another two arias by Brentner (Brk 53, Brk 83) and solo motets by Giovanni Battista Bassani and Anonymus. The Organo part of the transcript is missing.
SK-J
(Štátny archív v Bratislave – pracovisko Archív Modra,
Modra)
H-669
RISM record
Provenance: Piarist monastery in Podolínec
Transcript of "Gloria et honore" by P. Maurus Brunnmayr
[Classification: notated music, manuscript, copy, parts, fair copy, complete]
1726
Title page:
Gloria et honore etc: | de Martyre. | â | Basso Solo. | Violinis IIbus. | Con Organo. | O: A: M: D: Gl: B: V: M: | Authore D[omi]no Josepho | Prentner | Descripsit R: P: Maurus | P. Gott: 1726. The old call mark 17 in the middle on the right and 3 at the bottom on the left.
4 parts (each on 1 folio), cover (bifolio) ; 32 × 21 cm
The parts are marked Basso Solo, Violino 1mo, Violino 2do, Organo. P
erformance dates on the
back of the cover:
15. Maji 784 | 23. Septembris 785. | 6. Julii 1788. | 28 Septembris 794 | 18. Maji 800 | 3 Februarii 805.
Written on blue paper.
A-GÖ
(Benediktinerstift Göttweig,
Göttweig)
1023
Lost copy owned by P. Ignatius Müllner, SJ
[Classification: Inventory record]
Listed in the inventory of P. Ignatius Müllner on page 15 (Mottetta de Apostolis, et Martyribus): 20. Gloria, et honore. B.S. 2 VV. 3 Bassi cont.
Brendtner.
Manuscript score by E. Trolda
[Classification: notated music, manuscript, score, complete]
1926
Using the single known copy of the first printed edition, Emilián Trolda wrote down a manuscript score in 1926.
CZ-Pnm
(Národní muzeum – České muzeum hudby,
Prague)
XXVIII F 141
Manuscript score by K. Motejlek
[Classification: notated music, manuscript, score, complete]
1946
A copy of the manuscript score written by Emilián Trolda.
CZ-Pnm
(Národní muzeum – České muzeum hudby,
Prague)
L C 506
