Cor aude ad arma, op. 3/1

Instrumentation:

C, 2 vl, vla, bc

Contained in: Hymnodia divina, op. 3 Brk Coll 3

Composition: Not after 1718

Music

Sources

First printed edition

[Classification: notated music, print, parts, first edition, incomplete]

Georg Labaun, Prag 1718 or 1719

The print survived in sole and only copy with a missing title page, which was identified according to the period transcript of the collection (see below). Emilián Trolda discovered and transcribed the source calling it "Anonymus 1718" in his writings.

Vox

8 folios (A–D2)

Violino primo

4 folios (A–B2)

Violino secundo

3 folios (A–B)

Viola. Hauthbois et Violinus

4 folios (A–B2)

Partitura

7 folios (A–D)

CZ-CBk 169

29 × 19,5 cm
CZ-CBk (Jihočeská vědecká knihovna v Českých Budějovicích, Oddělení rukopisů a starých tisků, Zlatá Koruna) 169
A copy owned by Minorite Monastery in Český Krumlov .
Lost copy of op. 3 from Kvasice

The copy is listed in the Kvasice music inventory on page [6r] (Cantata seu Ariae diversae coll:): "[Nro.] 2. Hymnodia divina XII à Voce Sola, 2 Vio. Viola et org. [Authore] Brentner". It is not entirely clear, if it was the print itself or the transcript of the print.
Lost copy of op. 3 from Göß

The collection is listed in the music inventory from 1750 (Specifikation über alle Stuft Gösserische Musicalien sowohl, alß alle in Chor alda befundene musicalische Instrumenta. Anno 1750): "Josephi Prendner 12 Offertoria de Anno 1719 in folio".

Transcript of the first printed edition

[Classification: notated music, manuscript, parts, fair copy, complete]

1719

5 parts; 32,5 × 21 cm

According to this transcript it was possible to identify the sole and only copy of the print survived without title page (see above, First printed edition).

PL-GNd (Archiwum Archidiecezjalne w Gnieźnie, Gniezno) V/108

Podolínec transcript

[Classification: notated music, manuscript, copy, parts, incomplete]

On the cover of Voce sola part: Arie De Sanctissima | Commonione. | a | Voce Sola 3. Violinis. | et Organo.

3 parts, part Org lost; 20,5 × 16,5 cm

All arias from Hymnodia divina were included into an anonymous collection of 16 church arias from the music collection of the Piarist monastery in Podolínec, together with another two arias by Brentner (Brk 53, Brk 83) and solo motets by Giovanni Battista Bassani and Anonymus. The Organo part of the transcript is missing.

SK-J (Štátny archív v Bratislave – pracovisko Archív Modra, Modra) H-669 RISM record

Provenance: Piarist monastery in Podolínec

Manuscript score by E. Trolda

[Classification: notated music, manuscript, score, complete]

1926

Using the single known copy of the first printed edition, Emilián Trolda wrote down a manuscript score in 1926.

CZ-Pnm (Národní muzeum – České muzeum hudby, Prague) XXVIII F 141

Manuscript score by K. Motejlek

[Classification: notated music, manuscript, score, complete]

1946

A copy of the manuscript score written by Emilián Trolda.

CZ-Pnm (Národní muzeum – České muzeum hudby, Prague) L C 506

Bibliography

Last changed: 2021-01-25
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