Sources
Anonymous transcript of the music for novena, two parts only
[Classification: notated music, manuscript, copy, parts, incomplete]
28 + 16 folios; 32 × 21 cm
Only the Canto (complete contents, but only a fragment of the title page with the inscription "Canto" survived) and Basso (last litany and antiphon plus the title page are missing) are extant from this anonymously preserved source; the other parts are lost. Both units are bound in a single volume with a modern hardcover as a result of restoration. Two different hands occur in the manuscript. According to RISM, the source comes from the Carmelite monastery in Győr, the watermark points to the Wiener Neustadt as the place where the paper originated.
Watermark: Coat of arms of Wiener Neustadt and the countermark "NPM". The paper probably come from a paper mill operated in the latter half of the seventeenth century and the first half of the eighteenth by the Pichlmayr family in Wiener Neustadt; see Georg Eineder: The Ancient Paper-mills of the Former Austro-Hungarian Empire and their Watermarks, Hilversum 1960, pp. 56–57 and fig. 399.
Academus Edition: Source A
Transcript of "Vulnerasti cor meum"
[Classification: notated music, manuscript, copy, parts, complete]
1724
Text on the title page:
"Offertorium Vulnerasti cor meum. | â 6. [in a different hand: In festo Sanctae Mariae Magdalenae] | Canto. Alto. Tenore. Basso. | 2. Violin. 3. Trombon ad lib: | Violine con Organo.| M.A.L. [= Maximilianus Abbas Lambacensis, i.e. Maximilian Pagl] | 1724. | Sub. P. Bonifacio. | Authore Sigre Josepho. | Brentner."
11 parts; 31,5 × 20 cm
The parts are marked Canto, Alto, Tenore, Basso,
Violino Primo, Violino 2do, Organo,
Trombon 1mo, Trombon 2do, Trombon 3tio, and Battuta.
Academus Edition: Source M
A-LA
(Benediktinerstift Lambach,
Lambach)
1196
RISM record
Transcript of "Vulnerasti cor meum" by P. Maurus Brunnmayr
[Classification: notated music, manuscript, copy, parts, fair copy, complete]
1745
The text on the cover:
"Vulnerasti me D[omi]ne. de Virgine | â | Canto. Alto | Tenore. Basso. | Violinis. 2bus. | Con organo. | O: A: M: D: Gl: B: M: V: SS: A: SS: O: | Authore Prentner [later illegible inscription in small script: ein ochs] | Descripsit P: Maurus | P: Got: die 25 Feb: 1745
" . Old call marks 25 in the middle on the right and 7 at the bottom left.
7 parts (each on one folio), cover (bifolio); 31 × 21 cm
The parts are marked: Canto, Alto, Tenore, Basso, Violino 1mo, Violino 2do, Organo. They were written on the backs of older parts from two different unidentified composition. Inside of the back cover, there is an old title text of an anonymous composition, and on the back there are dates of performances: 30. Aprilis 784 | 25. Feb. 785 | 17. Septembris 785 | 28. februa. 786 | [more dates in pencil below:] 17 Nov. 753. 17 octob. 761.
Academus Edition: Source N
A-GÖ
(Benediktinerstift Göttweig,
Göttweig)
1026
Anonymous copy of "Gaudens gaudebo" and "Vulnerasti cor meum"
[Classification: notated music, manuscript, copy, parts, complete]
8 parts; 34 × 21,5 cm
The source contains two compositions, Brk 32 and Brk 44. Both compositions are supplied with two texts: Vulnerasti cor meum / En parata est mensa and Gaudens gaudebo / Adoro te devote.
The parts bear the designations Canto, Alto, Tenore, Basso, Violino Primo, Violino 2do, and Organo (2 copies); the second Org part is written in a different hand.
Academus Edition: Source B
Lost transcript owned by P. Ignatius Müllner, SJ
[Classification: Inventory record]
Listed in the inventory of P. Ignatius Müllner on page 13 (Mottetta de B. V. Maria): 67. Vulnerasti cor
â 4. Voc. 2. VV. Org. Violone. Idem [= Brentner].
Lost transcript from Rajhrad
[Classification: Inventory record]
Not after 1725
Listed in the 1725 music inventory from the Benedictine monastery in Rajhrad (O
ffertoria de Sanctis): "De Virginibus Vulnerasti cor Brentner". The source is presumably lost.
