Zelo zelata sum Publisher Ústav dějin umění Akademie věd ČR, v. v. i.
Husova 4, 110 00 Praha 1
Václav Kapsa 2019 Joseph Brentner. A Catalogue of His Works (Brk) Brk Source A Anonymous transcript of the music for novena, two parts only 28 + 16 folios 32 × 21 cm Watermark: Coat of arms of Wiener Neustadt and the countermark "NPM". The paper probably come from a paper mill operated in the latter half of the seventeenth century and the first half of the eighteenth by the Pichlmayr family in Wiener Neustadt; see Georg Eineder: The Ancient Paper-mills of the Former Austro-Hungarian Empire and their Watermarks, Hilversum 1960, pp. 56–57 and fig. 399.

Only the Canto (complete contents, but only a fragment of the title page with the inscription "Canto" survived) and Basso (last litany and antiphon plus the title page are missing) are extant from this anonymously preserved source; the other parts are lost. Both units are bound in a single volume with a modern hardcover as a result of restoration. Two different hands occur in the manuscript. According to RISM, the source comes from the Carmelite monastery in Győr, the watermark points to the Wiener Neustadt as the place where the paper originated.

 notated music manuscript copy parts incomplete Országos Széchényi Könyvtár Budapest H-Bn Ms. Mus. IV 773 Parts, transcript of Amavit eum Dominus and O quam suavis (= Vulnerasti cor meum) notated music manuscript copy parts incomplete Székesegyházi Kottatár Győr H-Gk AMC, P.53 MerMEId

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 45 Zelo zelata sum Amavit eum Dominus Johann Joseph Ignaz Brentner Sigismundo, Carolus Josephus à

The work was created as an antiphon for the festive novena to St. Teresa of Ávila. P. Carolus Josephus à Sigismundo OCD commissioned Brentner in Prague to compose music for the feast introduced by the Discalced Carmelite nuns of Graz in 1718. Together with the antiphon “Vulnerasti cor meum” Brk 44 from the same collection, the piece was re-texted at some point before 1723 to “Amavit eum Dominus” – a change that the composer himself might make. The composition is fully known only in the new version. The soprano part only has survived from the first version. Both versions are musically almost identical.

 Latin Italian Bibliography book Bárdos, Kornél Vavrinecz, Veronika Györ zenéje a 17–18. században Készült a Magyar Tudományos Akadémia. Zenetudomynyi Intézetěben 466 1980 Budapest Akad. Kiado article journal Kapsa, Václav The Novena to Saint Teresa of Jesus and the Work of Prague Composers around 1720 Hudební věda 57 3 254–290 2020 <biblScope xml:id="biblScope_def219cb"/> </bibl> </relatedItem> </bibl> </biblList> <notesStmt xml:id="notesStmt_9667fe16"> <annot label="" type="links" xml:id="annot_c169154c"/> </notesStmt> <classification xml:id="classification_1543bf88"> <classCode xml:id="DcmContentClass"/> <classCode xml:id="DcmPresentationClass"/> <classCode xml:id="DcmAuthorityClass"/> <classCode xml:id="DcmScoringClass"/> <classCode xml:id="DcmStateClass"/> <classCode xml:id="DcmCompletenessClass"/> <termList xml:id="termList_a71a2d2a"> <term xml:id="term_64a99447">Choral Offertories and Antiphons</term> </termList> </classification> <expressionList xml:id="expressionList_da4d6a08"> <expression analog="frbr:expression" xml:id="expression_97N20071"> <titleStmt xml:id="titleStmt_e50aeed7"> <title xml:id="title_0a815426" xml:lang="la">Zelo zelata sum
Ze lo ze la ta Fresco sum, ze lo ze la ta sum pro ho no re spon si me i,

Zelo zelata sum

 Fresco 1718 Prague 1718 Graz Reviews Evidence C A T B 2 vl org (= bc) 51 bars Amavit eum Dominus
A ma vit e um Do mi A ma vit Allegro nus, a ma vit e um Do mi e um Do mi nus, a ma vit A ma vit e um Do mi A ma vit nus e um nus, a e um

Amavit eum Dominus

 Allegro Not after 1723 C A T B 2 vl org (= bc) 51 bars

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