Johann Joseph Ignaz Brentner
Brk 4
Requiem solemne
The work has survived uniquely in the music collection of the Göttweig Abbey. The set of parts was probably written in the composer’s own hand, as the manuscript bears similar features as the parts of Missa Divi Angeli Custodis (Brk 1) and Missa Dominicalis (Brk 2) kept in Göttweig and three mourning motets survived in (Brk 85, Brk 87, Brk 89). The occurrence of the autographs in Göttweig seems to be most likely a result of an unspecified connection of P. to the composer or to the Prague music milieu in general; P. Maurus studied in Prague around 1714.
Instrumentation:
C, A, T, B ;
2 clno, 2 vl, org (= bc)
Music
1.1
Requiem aeternam
Grave/Adagio, 28 bars
1.2
Te decet hymnus
𝄵, 45 bars
3.1
Dies irae
Largo, 𝄵, 62 bars
3.2
Liber scriptus
Andante, 33 bars
3.3
Tuba mirum
Andante, 𝄵, 30 bars
3.4
Lacrimosa
Grave, 𝄵, 19 bars
3.5
Huic ergo parce
Andante, 𝄵, 22 bars
4.1
Quis mihi hoc
Recitativo, 𝄵, 24 bars
4.3
Tu quidem gressus
Andante, 𝄵, 49 bars
5.1
Sanctus
Grave, 𝄵, 30 bars
5.3
Osana in excelsis
𝄵, 76 bars
7.1
Lux aeterna
Andante, 47 bars
7.2
Cum sanctis
Andante, 𝄵, 36 bars
7.3
Quia pius es
Grave, 𝄵, 2 bars
Sources
Autograph parts
[Classification: notated music, manuscript, autograph, parts, complete]
Title page on the cover:
Requiem Solemne. | A 9. | Canto — 1 | Alto — 1 | Tenore — 1 | Basso — 1 | Violin: — 2 | Clarin: — 2 ad libitum | Con | Organo | Authore Josepho Brentner. The old call mark 7 on the right.
9 parts; 27 x 21,5 cm
A-GÖ
(Benediktinerstift Göttweig,
Göttweig)
46
Canto
3 bifolios
Stitched together. Fair copy. At the end of the last page: OAMDGBVMETOSH
Alto
3 bifolios
Stitched together. Fair copy. At the end of the last page: OAMDGBVMETOSH.
Tenore
3 bifolios
Stitched together. Fair copy. At the end of the text: OAMDGBVMETOSH. Last page empty.
Basso
3 bifolios
Stitched together. Fair copy. At the end of the text on the last page: OAMDGBVMETOSH
Violino Primo
3 bifolios
Stitched together. Fair copy. At the end of the text: OAMDGBVMETOSH. Last page empty.
Violino 2do
3 bifolios
Stitched together. Fair copy. At the end of the text: OAMDGBVMETOSH. Last page empty.
Clarino 1mo
1 bifolio
Fair copy. At the end of the last page: OAMDGBVMETOSH.
Clarino 2do
1 bifolio
Fair copy. At the end of the last page: OAMDGBVMETOSH.
Organo
4 bifolios
Stitched together. Fair copy. At the end of the last page: OAMDGBVMETOSH.
Bibliography
Riedel, Friedrich W.: Der Göttweiger thematische Katalog von 1830 (Studien zur Landes- und Sozialgeschichte der Musik 2, 3), Katzbichler: München 1979.
Last changed: 2021-01-25
Download source MEI xml file
