The composition has survived uniquely in the music library of the Einsiedeln Abbey. The manuscript copy written in 1744 originates from a Benedictine Abbey, which was dissolved in 1803. Second part of the composition, the fugue "Benedictus Dominus", is an arrangement of the closing fugue of the offertorium "Benedicite gentes" op. 2/4, Brk 26, where the bars 84–111 and both violin parts were left out from the original composition.
Instrumentation:
C, A, T, B, org (= bc)
Music
1. Mirabilis Deus
Andante, 10 bars
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2. Benedictus Dominus
Moderato, 92 bars
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Engraved by Verovio 2.1.0-c671d4cCATOrg, B14versectus,versebeverseneversenus,versebeverseneverseDoversemiversenus,verseBeversediversectusversediversebeverseneverseDoversectus,versediversectusversemiversenus,versebeverseneverseDoversemiversenus,verseneverseDoversediversebeverseneversediversectusversemiversediverseDoversemiversenus,versectus,versectus,versenus,
CH-E
(Kloster Einsiedeln,
Einsiedeln)
420,8
RISM record
Bibliography
Hanke Knaus, Gabriella: '"Ganze Parthien Musikalien". Der Notenbestand der ehemaligen Reichsabtei Weingarten in der Musikbibliothek der Benediktinerabtei Einsiedeln'. Oberschwäbische Klostermusik im europäischen Kontext: Alexander Sumski zum 70. Geburtstag, Lang: Frankfurt am Main 2004, pp. 89–107, 108–129.